Documentary Reflection: Amanda van Scoyoc

By Amanda van Scoyoc

This photograph was taken on April 12, 2008. Damaris was nineteen years old, Andrea was seconds old, and I was twenty-five. I was in the corner of the delivery room trying to be as inconspicuous as I could be with a Hasselblad camera attached to a large tripod. I remember fumbling around with the manual focusing, certain that I was going to miss capturing the image of Damaris holding her child for the first time.

That year as a Lewis Hine documentary fellow I was collaborating with a group of adolescent mothers to record their experiences. Our end goal was to create a body of work, including their photographs, my photographs, and their words, that could document their reality. We envisioned that this work would tell the entire story of adolescent parenting, including both immense struggle and unconditional love. As a part of working together, Damaris wanted me to be there in the hospital with her to document the moment when she became a mom.

After I took this photograph, I made one nice print, which I promptly gave to Damaris. At the time, I thought that this photograph had less to say about adolescent motherhood than some of the more complicated images of young mothers and their children. The photographs that I ended up choosing for exhibits felt more balanced. They demonstrated love while hinting at the difficulties of being an adolescent while raising a child. This photograph did not hint at struggle. Instead it demonstrated the universal joy of motherhood.

A couple of years later, I returned to Chelsea, Massachusetts and spent a week living with Damaris and 2 year-old Andrea. When I walked into their apartment, one of the first things that I noticed was this photograph displayed prominently on the wall. Seeing it brought me right back to that captured moment, and I realized that this photograph has everything to do with adolescent motherhood and all motherhood. Now, when I look at this photograph, I remember the intensity of emotion in that room and notice the care of Damaris’ open hand enveloping Andrea for the first time. It is a photograph that is similar to many other photographs hanging in many other homes, but it is also Damaris’ moment, and a part of her story that I was there to share.

It has been four years since my time as a Hine Fellow. I am currently in my second year of a clinical psychology PhD program and am planning my dissertation research. For my dissertation, I am working with women who use substances during pregnancy. Although there is plenty of research showing the negative impact of prenatal use on child outcomes, the research that is available does not focus on women’s experiences using substances during pregnancy. Despite working with a very different population of women now, I have the same mission that I had working with adolescent mothers as a Lewis Hine Fellow. I am asking questions, listening, and trying to understand. I need to hear women’s stories and allow their experiences to enter the conversations that impact policy change.

In this work, this photograph reminds me that I need to hear not only about the barriers and difficulties, but also about the love and connection during pregnancy and after a child is born. We cannot forget the wonderful parts of parenting that are common to younger mothers, older mothers, and mothers struggling with addictions. The women that I work with now, just like all of the women that I have ever worked with, adore their children.  Yes, they have unique struggles with addiction, but not every moment hints at this hardship. They also gave birth and held their child for the first time, cradling with caution, and smiling adoringly. When asked about becoming a parent, they look back and remember the unconditional love

Despite the harm their substance use can cause, these women also want to protect their children. Many of them recall trying over and over and over again to stop using during their pregnancy, but lacking support, and being too afraid to seek out help. Their desire to protect is a piece of the story that cannot be forgotten but that is too frequently cast aside. As we consider the best interests for mothers and children whose lives are compromised by addiction, perhaps our greatest ability to help women get clean and stay clean is unlocked by remembering that caring, protective, and joyful moments are also a part of these women’s stories. I believe that our greatest ability to help women may lie in connecting with the love and motivation that already exists inside them. As a researcher working with women who struggle, I have learned that even for women who struggle the most, not every moment hints at hardship. Some moments are just absolutely wonderful.

 

Amanda Van Scoyoc 2007-2008

Amanda van Scoyoc graduated from University of Pennsylvania in 2005 with a B.A. in psychology and a minor in fine arts. For the last six years, she has worked on a variety of documentary projects, including a series of photographs, interviews, and writing about the impact that adopting nine-year-old Russian twin sisters has had on her family as well as on their own adjustment and development. Over the last year, she has volunteered as a photographer with two nonprofits in Guatemala and Honduras. Most recently, she has been working as an art teacher at a Boy’s Club of America, where she has incorporated journaling into her teaching.

“I have always been interested in particular groups of ‘at-risk youth’ and am very interested in working with kids who are growing up in situations different from their peers, for example, kids who act as a caretaker, older adopted kids, kids growing up with grandparents or in foster care, or kids growing up with a handicap,” she says. “I have found that a lot of them feel that the problems they encounter on a daily basis are unique. Documentary work could help them feel more connected to other kids who are growing up in similar situations.”

For her fellowship, Amanda worked with Roca, which employs almost one hundred full- and part-time employees, runs five large youth programs, and serves almost one thousand youth in the northern Boston region.

To read more about Amanda’s fellowship, visit:

http://documentarystudies.duke.edu/projects/hine/gallery/amanda-van-scoyoc

http://www.amandavs.com/

Margaux Joffe 2007-2008


Margaux Joffe graduated from Duke in 2006 with a major in literature and media studies and a Certificate in Film, Video, & Digital. Like the other two Hine fellows this year, she has been awarded numerous grants and awards for her documentary pursuits. In addition to two documentary videos, she has also completed several fictional videos under the name of her company, Margaux Eve Productions, and has published papers on the hip-hop movement in Cuba. For the past year, she has been working as a teacher in the Dominican Republic, teaching a variety of courses, including social studies and photography.

“I believe that creative mediums such as photography are excellent ways for young people to share their unique views of the world and develop the important skills of self-expression,” she says.

Margaux worked with the Jamaica Plain Neighborhood Development Corporation in Boston. When JPNDC was founded thirty years ago, the Jamaica Plain neighborhood was dismal, with much abandoned housing and few businesses. In the years since, the JPNDC has steadily grown and developed the neighborhood in radical and impressive ways, but the downside is that Jamaica Plain has become a very desirable place to live. As is happening in communities throughout Boston, it is being quickly gentrified, with rents and housing prices increasing to rates that were previously unimaginable for the area.

For more information on Margaux’s work, visit:

http://thefaceofjp.wordpress.com/

http://www.margauxevejoffe.com/

Rebecca Herman 2007-2008

Rebecca Herman graduated from Duke in 2005 with a dual major in literature and history, and Spanish. Fluent in Spanish and in Brazilian Portuguese, she has worked on human rights issues for the last three years in Argentina, Chile, Brazil, and Bolivia. Most recently, she finished a short film called “Yo, Si Puedo,” about a literacy campaign in Bolivia. Prior to that, Rebecca worked in Argentina with Memoria Abierta, an oral archive of filmed testimonies given by torture survivors, exiles, militants, and family members. Her role was to help Memoria Abierta develop a large documentary graphic exhibit to commemorate the thirtieth anniversary of the coup.

“In my work I seek to explore social and political issues through individual testimonies,” she says. “The lessons that I have been taught by my colleagues abroad, the experience of living and working in a large variety of cultural contexts, and the Spanish and Portuguese that I have learned in my time there will greatly enrich and expand the ways in which I can contribute to the work of my host organization.”

Rebecca worked with Roca (“rock” in Spanish), a large, dynamic, twenty-year-old community organization based in Chelsea, just north of Boston. Roca works with young, disenfranchised mostly Latino youth (ages 14–24) in neighborhoods in the northern part of Boston and adjoining communities. Roca serves are gang and street youth, young people leaving foster care, dropouts and disengaged youth, pregnant teens and young parents, court-involved youth, and refugees and recent immigrants.

To learn more about Rebecca’s fellowship, visit:

http://documentarystudies.duke.edu/projects/hine/gallery/rebecca-herman

http://www.regardingrebecca.com/